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The Alchemist
by Ben Jonson

Directed by Adam Konowe
Produced by Mary Ann Hall and Claudia Weintraub
Stage Managed by Robert Knight

Jan.19 - Feb.10, 2001

The Scene
Lovewit's House
Blackfriars, London

Director's Notes

On the surface, a play that focuses on the mysterious world of alchemy may seem completely pointless to a twenty-first century audience raised on an infinite variety of consumer goods, tantalizing multi-million dollar lottery jackpots, and instant gratification through the now-ubiquitous Internet. And yet one could argue that this play has never been more relevant.

Start with the characters. From the lowbrow to the highborn, we find a cross section of Londoners that, with a bit of a squint and tilt of the head, could easily represent a patch of society anywhere in today's industrialized world. Put simply, their passions and desires are no less real than our own.

Then think about the author's underlying message behind the antics of the "venture tripartite" of Subtle, Face and Dol as they cozen the gullible and enrich themselves. Resist the temptation to sit back in your chair and smugly dismiss what you see as the machinations of simpletons from a bygone era. Consider this irony: the setting may be classical, but today's headlines prove that greed, lust, and the other deadly sins are truly timeless.

A play that was first performed almost 400 years ago has endured because deep down we still want to believe that the impossible isn't quite so unattainable. Don't agree? Think about it the next time you consider buying a "lifestyle" SUV for your daily commute, spending a few bucks for a one in a billion chance of boundless wealth, or falling for that alluring offer emanating from the infomercial on TV or "get rich quick" scheme on the Internet.

Adam Konowe

THE ARGUMENT

T he sickness hot, a master quit, for fear,
H is house in town, and left one servant there.
E ase him corrupted. And gave means to know

A cheater and his punk who, now brought low,
L eaving their narrow practice, were become
C
oz'ners at large; and only wanting some
H ouse to set up, with him they here contract
E ach for a share, and all begin to act.
M uch company they draw, and much abuse,
I n casting figures, telling fortunes, news,
S elling of flies, flat bawdry; with the stone;
T ill it, and they, and all in fume are gone.

Acknowledgements

The Elden Street Players wish to thank the following people and businesses for their help in making this production a success.

Richard Slease, Daniels Photography Studio
Great Harvest Bread Company
Maggie Geuting
HRI Associates Inc.
Chris Macey
The Little Theatre of Alexandria
Noble Blades
The Tortilla Factory
Marti Sikes
Reston Community Players
Superlative Costumes
Town of Herndon Parks and Recreation Dept.
The Town of Herndon Department of Public Works

 

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